Around the laboratory flooring, a humanoid determine sparkles to lifetime. Her title is Mia, and when her synthetic intelligence is totally operational, she will be described as a supremely real looking sexual intercourse doll, Completely ready for mass manufacturing. For getting in control, she watches several hours upon hours of porn.
Up within the sky, Redtube Flight 728 slips via a wormhole, which the captain describes on the travellers is an element of the new normal.
“They’re fairly frequent given that the patriots at Amazon are applying them to bend The material of your universe to enhance shipping and delivery instances,” he claims.
Shortly a vehemently campy flight attendant named George commences to suspect that there’s a intercourse ghost on board. “What the frick is really a intercourse ghost?” his equally dimwitted colleague Tammy asks, moderately sufficient.
But additionally: What’s All of this on-line hysteria about a virus brought on by furries? (That’s the subculture of people that costume in animal costumes.) Can it genuinely be traced to the airplane that’s gone missing, and they are George and Tammy on that airplane?
That’s not even close to all There exists to monitor in Nadja Leonhard-Hooper and Dan Nuxoll’s “Consume the Satan,” the gleefully but fatally overloaded satire from One Year Lease Theater Organization within the Tank.
A sci-fi, apocalypse, time-journey, airplane-disaster Film riff, it’s a careening sendup of the out-of-control American lifestyle mesmerized by screens. You will discover characters dependant on well known suitable-wingers (the conspiracy theorist Alex Jones, the political commentator Tomi Lahren, the televangelists Jim and Lori Bakker) piled alongside fictional social outliers: an incel named Ethin Provide, and an out-and-proud furry named Goatse — who, for your history, believes he is “the reincarnated soul of a goat from a 13th-century Russian folktale.”
All of these commune with their public via cameras, and Nick Flint’s creation helps make extraordinary utilization of abundant video. (Several of it is shot Stay, which occasioned some technical glitches at the performance I saw.) This is actually the unusual real life sex doll stage generation that credits not only a video designer (Scott Fetterman) but will also cinematographers (Adam Dietrich and Bella Graves).
There’s a drone here, far too — its identify is Alexa Bezos — and it is probably not these kinds of a great notion to possess it fly in excess of the spectators’ heads.
By far the top, most targeted areas of the present transpire back with the lab, where by Kelindah Schuster makes a wondrously sympathetic Mia, and Lexie Braverman lends an important heat and ease to her creator, Penny. Rory Spillane is a comic standout as Charles, her uncomfortable younger colleague (and it is Similarly fine as Ethin the incel).
But at a hundred minutes, this fervent experiment drags — because it’s way too convoluted, and because The only philosophical stand it seems to take is for nihilism. It strafes anything in its sights.
As being the Bakkers put together their viewers with the dim moments they insist are forward, they hawk a survival kit stocked with quite a few 1000s of energy.
“It’s a thirty-working day fiesta bucket,” Lori claims.
“Consume the Satan” is usually a kind of fiesta bucket, way too — jam-packed to overflowing, but its calories are typically vacant.